The Old School: Issue IX
Working Class started as a simple idea in a Brooklyn
apartment. We hope to be a pulse of creativity in Brooklyn,NYC and beyond.
 
wcLoves
 
Vultures vultures
Come Alive, Come and Drive come alive
Back in the Day with Judith Henry back in the day
Beeper Code Theatre beeper code
Circa '97 circa 97
1984 1984
The Porch 1984
Miss Barbara Blonde 1984
 
Willyb. 1964
A Train a train
The Skinny the skinny
Fed 5 fed 5
Guy Bourdin guy bourdin
Artist Profile: Jason A. Maas guy bourdin
The Family Tree 1964
Shoots shoots
gallery
Andrew M. Casey 1964
Crackerfarm crackerfarm
Tara McPherson tara
shag
todd
 
WC Finds juliette
Girl With Flowers juliette
Suave and Debonair suave
1964 1964
Ella 1964
Printed Pattern patterns
Toppers patterns
New Canvas:
Jessica Repetto
jessica
 
Old School Bohemians old bohemians
When would you want
to live in New York?
when
Business Profile: Dandelion Wine diy
Store Profile: Saffron diy
 
At Home with ... Mike Mabes home
A Winter Feast diy
DIY diy
 
The Haunted Lady:
Interview with Juliette Lewis
juliette
 
Issue VII, The Faith Issue
Issue VIII, The Summer of Love
Issue VII, The Faith Issue
Issue VII, The Faith Issue

Issue VI, The Smut Issue

Issue V, Us v. Them

Issue IV, The Political Issue

Issue III, The I Love You Issue

Issue II, The Me Issue

Issue I, The Launch Issue
.

Old School Bohemians

andy

MARTHA GRAHAM

NAME: Martha Graham

OCCUPATION: Dancer and Choreographer

HOMETOWN: Allegheny, Pennsylvania

YEARS IN NEW YORK: 60+, she established the Martha Graham Center of Contemporary Dance in 1926 which started as a small dance studio on Broadway and eventually moved to a two story building on 63rd and Second Avenue

KNOWN IN NEW YORK BECAUSE…: Graham was known in New York and beyond for her stellar achievements as a dancer and choreographer. She received the highest of honors including the Medal of Freedom, the key to the city in Paris and Japan’s Imperial Order of the Precious Crown. In 1936 one of her defining works “Chronicle” came to the stage; it was influenced by the Wall Street Crash, the Great Depression and the Spanish Civil War.

THE SCENE: Her hey day was in the 1930s and 1940s, but stretched well into the 1950s and 1960s. She collaborated on works with composers such as Aaron Copland, William Schuman and Louis Horst. She created many of her dances for herself and husband Erick Hawkins.

WHY WE LOVE HER: She was doomed to be an artist, as she often put it and understood the responsibility that came with that.

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.”

 

 

 

 

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